Honouring and Understanding Gathering - Wednesday 28 September

Join us for the third in a series of evenings to honour and gather together.  We welcome artist Carey Newman, and his daughter Adelyn Newman-Ting, who will speak about the orange shirts he has created and his making of the Witness Blanket for the Truth and Reconciliation Commission. There will be a special screening of Picking up the Pieces: The Making of the Witness Blanket at IMAX.

Due to the sensitive topic, Wawadiťła, the Big House (Mungo Martin House), will be open with a ceremonial fire for prayer and reflection throughout the evening. Cultural support workers will be available onsite as needed.

Program

Doors open from 4:30 PM

5 PM  Clifford Carl Hall on the ground floor of the Museum

  • Welcome 
  • Keynote Speakers – Carey Newman and Adelyn Newman-Ting

6:30 PM Light refreshments served

7:15 PM IMAX Victoria

Picking up the Pieces: The Making of the Witness Blanket

Each object has a story to tell, each survivor has something to say. The 90-minute feature documentary film Picking Up the Pieces: The Making of the Witness Blanket weaves those stories with artist Carey Newman’s personal journey, examining how art can open our hearts to the pain of truth and the beauty of resilience. The Witness Blanket stands as a national monument to recognize the atrocities of the Indian residential school era, honour the children, and symbolize ongoing reconciliation.

Please be advised that this movie may be triggering.

Register to reserve your seat here.

About Carey Newman

Carey Newman, whose traditional name is Hayalthkin’geme, is a multi-disciplinary Indigenous artist, carver, filmmaker, author and public speaker. Through his father he is Kwakwak’awakw from the Kukwekum, Giiksam, and WaWalaby’ie clans of northern Vancouver Island, and Coast Salish from Cheam of the Sto:lo Nation along the upper Fraser Valley. Through his mother his ancestors are Settlers of English, Irish, and Scottish heritage. In his artistic practice he strives to highlight Indigenous, social, and environmental issues as he examines the impacts of colonialism and capitalism, harnessing the power of material truth to unearth memory and trigger the necessary emotion to drive positive change. He is also interested in engaging with community and incorporating innovative methods derived from traditional teachings and Indigenous worldviews into his process. 

Highlights from his career include being selected as the master carver of the Cowichan 2008 Spirit Pole, a journey that saw him travel the province of BC sharing the carving experience of carving a 20’ totem with over 11,000 people, a major commission entitled “Dancing Wind” installed at the 2010 Olympic Games, Athlete’s Village in Whistler, premiering the documentary he wrote and co-directed at the Vancouver International Film Festival as well as publishing his first book. He also continues to create for and consult with corporations, government agencies, collectors and museums around the world. 

Perhaps his most influential work, The Witness Blanket, made of items collected from residential schools, government buildings and churches across Canada, deals with the subject of Truth and Reconciliation. It is now part of the collection at the Canadian Museum for Human Rights. 

Carey was awarded the Meritorious Service Medal in 2017 and was named to the Order of British Columbia in 2018 and he was recently appointed as the inaugural Impact Chair in Indigenous Art Practices at the University of Victoria.