These posts stood inside a large, traditional house in the A’wa’eťala
village of Dzawadi in Knight Inlet. Charles F. Newcombe purchased
them in 1914. Originally, they supported the massive longitudinal
roof beams of the house. In Thunderbird Park, they stood in front
of support posts for the roof of an open-sided building at the north
end of the park. There, they functioned as dramatic elements of the
façade but served no structural purpose.
RBCM 1862 (left), 1860 (centre), 1861 (right).
The human-like figure at the top of each
post represents Dzunuk´wa, the Wild Woman of the Woods,
according to a Thunderbird Park guidebook of the period. This may be
a mistaken interpretation of Charles F. Newcombe’s collection
records because the figures lack the characteristic pursed lips of
the giantess. Although very similar, each of the figures has a different
posture. They may represent ancestors of the owner of the house.
Bear’s head at the bottom
of each post. Each of the Bears has a face painted in either ear.
Each has a distinctive characteristic as well: the Bear on the central
post has a Copper (a copper plaque symbolizing wealth and status)
in its mouth; the Bear on the post on the right carries a small Whale
in its mouth.
Mungo Martin repainting Kwakwaka’waka
(A’wa’et?ala) house post, ca 1952.
RBCM KWA-F-014.